Jean-Marie’s microphone holds the memories of a musical journey that unfolded between the mid-1980s and the early 2000s. Discovered almost by chance at university, singing quickly became a space for expression and connection: rehearsals in small rooms, concerts in bars, CD recordings, and collective compositions. The band FELLONIE gradually evolved towards sounds influenced by nu metal.
Through this object emerge bonds of friendship, the experience of the stage, and the discovery of one’s own voice. For nearly ten years, the microphone accompanied a chapter of life shaped by collective creation, the energy of live performances, and the joy of playing together.
More than a technical tool, it became the symbol of a period filled with music, youth, and shared experience.
